| More about the church features
Aumbry
On the north wall of the Sanctuary at
Eastling Church is a double Aumbry. Built as a cupboard
in the wall - usually with a wooden door - this would have
been used to house the Church Plate.
Chancel
The alignment of the Tower and Chancel
is considered attributable to Saxon, rather than Norman,
workmanship. If you stand in front of the east window and
look back to the west door you will see that the Nave and
Chancel are out of alignment, and this suggests that the
Chancel pre-dates the Nave.
Examples of Norman workmanship to be seen
in St Mary today are:
-
the upper part of the Tower;
-
perhaps the belfry stage with its
pairs of round-headed openings;
-
the re-styling of the western part
of the Chancel; and
-
the west end of the Nave (possibly
a late 12th century extension).
Early in the 13th century, the Chancel
was re-styled and given Early English lancet windows.
A further period of rebuilding-took place
during the 14th century. The Chancel was extended eastwards
by a further 22ft, so creating the Sanctuary.
The stained glass in the Chancel windows
are memorials to the Birch Reynardson family. The east window
contains picture panels, the work of famous church glass
artist Thomas Willement of Davington.
Chapel
The St Katherine Chapel was built around
1350. As part of the scheme, an arcade was formed on the
south side of the Chancel. The fluted (concave-sided) pillars
are an unusual design, also found in Faversham Parish Church
and at Eastchurch, Sheppey. It is thought that the workmanship
might be by masons from either Leeds Priory or Faversham
Abbey.
The Chapel houses a 19th century organ,
the Martin James monument and a fine oak chest with an inscription
of "1664 H" carved inside. The "H" is
the mark of a Michael Shilling, who was churchwarden at
the time.
The Rood
There is evidence that Eastling Church
once had a Rood Screen, possibly extending across both the
Chapel and the Chancel. On this would have stood a Cross
with a carving representing a crucified Jesus. The Reformation
saw the destruction of the Rood and no trace remains, apart
from the base of a stairs turret at the south-east corner
of the South Aisle.
Churchyard
The beautifully tended churchyard owes
much to a generous bequest for its maintenance by Dorothy
Long (d. 1968).
The original graveyard has a modern extension
with spaces still available for burials and close to the
entry gate is an area dedicated to the burial of ashes.
Several graves date from the 17th and
18th centuries and include memorial stones to Mary Tanner
who was born in the year of the Battle of Naseby; to Christopher
Giles born in 1674 and his wife Susannah born in 1691; and
to Thomas Lake of Eastling Gent died February the 19th 1717.
Close to the West Porch is a 13th century
stone coffin slab, in the form of a cross with a sword,
a style sometimes referred to as a "Crusader Tomb".
Easter sepulchre
The impressive Easter Sepulchre, alongside
the Aumbry in the Sanctuary of Eastling Church, features
an ogee-worked canopy with an altar tomb underneath.
It was once the custom for the sacred
elements of the resurrection to be placed on the altar tomb
on Good Friday morning. There they remained until Easter
Sunday, when they were moved to the high altar.
Nave
The Nave - or central area of the church
- dates from the 12th century and is notable for its unusually
narrow original walls (later, the Arcade walls). Fractionally
over 2ft thick, they are considered to be attributable to
Saxon workmanship which favoured relatively "thin"
solid walls against the Norman style of "thicker"
walls comprising two leaves with a filled cavity.
The western end of the Nave is thought
to be a late 12th-century extension.
The South Aisle was constructed in the
early part of the 13th century and substantially rebuilt
by Victorian architect R. C. Hussey in 1855. Some original
13th-century material was re-used, and the eastern respond
located against the Chancel remains substantially untouched.
The North Aisle was also created in the
13th century and completely rebuilt by Hussey as part of
his major "modernisation" of the building. The
South Aisle incorporates a 14th-century window.
The Victorians' enthusiasm for remodelling
churches also extended to the Nave which was rebuilt by
Hussey in 1855-56. He also added the West Porch, constructed
a Vestry and re-built the Chancel arch. It's worth comparing
the ceilings of the South Aisle which is said to have escaped
Hussey's attentions and that of the Nave where he left only
the tie beams and principal trusses visible.
The box pews, pulpit, lectern, rector's
stall and choir stalls all date from the Victorian era.
The wooden wall benches pre-date the pews.
Piscina
A piscina is, in effect, a medieval stone
bowl near the altar where a priest carried out ceremonial
cleaning tasks.
The piscina in Eastling Church dates from
the late 13th century and takes the form of a stone cill
incorporating twin bowls - one for hand washing, the other
for cleaning the chalice and other sacred vessels.
It was originally located in the Chancel.
When this part of the building was extended during the 14th
century, the piscina was moved to its present position on
the south wall of the Sanctuary.
Porch
The West Porch was built in 1855, by Victorian
architect R.C. Hussey as part of his major alterations to
the church.
However, the fine Norman west doorcase
is much older, possibly dating from 1180. It is carved from
chalk blocks; some of the internal wall faces are also chalk,
a common feature of many Downland churches. It was partly
restored by the Victorians.
Sedilia
The sedilia at Eastling Church comprise
three recessed stone seats with trefoiled canopies. By convention,
sedilia were placed south of the altar and used by the priest,
deacon and sub-deacon.
Created late in the 13th century, Eastling's
sedilia were moved, during the 14th century, from the Chancel
to their present position in the (then) new Sanctuary.
Stalls
The Stone Stalls, on the north side of
the Chancel, would have once served as choir stalls. These
recessed seats have unusual carved stone canopies in the
form of four trefoiled arches carried on caryatids (columns
sculpted as female figures).
In his "Notes on the Church",
Eastling Church historian Richard Hugh Perks says that a
19th century ecclesiologist, Francis Grayling, theorised
that they were mural recesses. Mr Perks considers the church
might once have been decorated extensively with murals -
born out by the traces of wall paintings found in the 1960s
when the Chancel was re-decorated. However, the paintings
were in such very poor condition that they were covered
over. Mr Perks also draws attention to the fragment of the
former Chancel east wall which can be seen at the east end
of the Stone Stalls.
Tower
The base of the south-west Tower is said
to date from the early 11th century, possibly earlier. Much
of the remainder of the Tower is Norman.
The Tower - five feet thick at its base
- is of flint and chippings, with ragstone quoins, and is
heavily buttressed. The external brick buttress to the tower
is 18th century. Brick was also used in rebuilding sections
of the north-swest angle of the Tower, the belfry openings
and the Tower doorcase. Today's slated spire would once
have been clad with wooden shingles.
The door to the Tower is set in a large
arch with "Articles" of the Ringing Chamber, on
wooden boards above it.
The Bells
Eastling has six bells, four of them made
by Richard Phelps during the time he occupied the Whitechapel
Bell Foundry. The bells are as follows:
| Bell |
Weight (approx)
|
Diameter |
Cast |
Founder |
Inscriptions |
Key |
| 1 |
3½ cwt |
25¾in |
1793 |
Thomas Mears I
|
THOs MEARS OF LONDON
FECIT 1793 |
Sharp of F# |
| 2 |
4¼ cwt |
27in |
1717 |
Richard Phelps |
R : PHELPS FECIT
1717 |
F |
| 3 |
5 cwt |
29in |
1717 |
Richard Phelps |
R : PHELPS FECIT
1717 |
Sharp of D |
| 4 |
5½ cwt |
30in |
1717 |
Richard Phelps |
R : PHELPS FECIT
1717 |
- |
| 5 |
7¼ cwt |
32½in |
1717 |
Richard Phelps |
R : PHELPS FECIT
1717 |
B |
| 6 |
8 cwt |
36in |
1717 |
Richard Phelps
|
THE REVEREND Dr
: Wm : WILKINS SEN : RECT : Wm WILKINS IUN : CURAT DAN
: KEMP CH : WARDEN R : PHELPS FECIT 1717 |
A |
Unfortunately, the present condition of
the timber bell frame with its elm headstocks (constructed
around 1700) and the upper part of the Tower do not allow
the bells to be rung safely.
Yew tree
The substantial Yew tree, by the West
Door, has been reliably dated at more than 2,000 years old.
Small Yews, cultivated from cuttings taken
from this tree, were distributed to a number of other Kent
churches in celebration of the Millennium.
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